A refreshingly distinctive UK day and boarding school for artists, actors, musicians and filmmakers
I loved the small classes and the creative environment. I remember happily spending entire weekends in the photography studio. After RIC I was accepted at the Professional Conservatory of the Stella Adler Studio of Acting in New York. I’m sure that if I hadn’t studied at RIC I wouldn’t be where I was now, I couldn’t even speak proper English before arriving!
Imagine a school where the arts are at the centre of the curriculum and creativity is found in every corner of the campus
A school with a creative buzz where you’re taught by practicing graphic designers, musicians, illustrators, filmmakers, photographers and artists and where you’re studying alongside those who share your interests and enthusiasms
A school that feels like you’re already at Art College, Film or Drama School while you’re preparing successfully for entry to the best ones
A school which doesn’t force its students into a house style but helps your own practice to develop individually, guiding you towards producing an impressive portfolio of work as well as top A level results
A school where you can premiere your own short films in the campus cinema
A school where acclaimed visiting theatre companies perform and run workshops in the campus theatre
A school with outstanding facilities for techniques old and new and where students have free use of the fully equipped darkroom; a ceramics studios with potters’ wheels and kiln; textiles studio with computer-aided embroidery machine; two large dedicated art studios; Adobe Photoshop, Illustrator and InDesign; and four Mac suites with music sampling and film editing software
RIC encouraged me to start thinking about potential stories, and how visual and audio techniques can come together to illustrate those stories. It also gave me my first opportunities to actually use film equipment and technology, including software that I still use today.
Preparing you to study at leading creative universities
Rochester offers its own vibrant art scene and is conveniently located close to two other cultural centres: London and the emerging hubs of the Kent Coast in Margate, Whitstable and Folkestone. The College is located directly opposite The University for The Creative Arts.
Popular post A level destinations for RIC students include Central Saint Martins, Goldsmiths, BIMM and the London College of Fashion. Film students opt either for academic courses at top universities such as KCL, Warwick and Sussex or more practical training routes at universities such as Bournemouth and Ravensbourne.
Head of Graphic Design at Falmouth University Bryan Clark says: “At Falmouth it is becoming commonplace to accept high calibre students directly from A levels if they can obtain the specialist insight and an introduction to the fundamentals of the design process and a strong sense of passion for the subject. RIC delivers this, with not only top grade students but also those with a depth of experimentation and energy that you will also find with more traditional foundation student entry.”
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RIC destination diptychs
In 2016 Sam, who joined RIC from Invicta Grammar, and Maria from Westcliff High School both received matching unconditional offers for the prestigious BA Fashion Marketing course at UAL’s London College of Fashion.
Two RIC students recently won places on one of the world’s most prestigious Fine Art degree programmes at UCL’s The Slade School of Fine Art. The Slade has spawned a number of well-known artists including Wyndham Lewis, Paul Nash, Stanley Spencer, Rachel Whiteread and filmmaker Derek Jarman.
Ginte started the course after completing her foundation at Central Saint Martins. Tom Wynn Owen from Tonbridge who joined her at UCL’s Gower Street quad did his GCSEs at the Judd School before opting for an RIC two year A level programme. His success is even more extraordinary as he was offered a place on the degree course straight from sixth form without the normal requirement to complete a foundation year first.
Tom says he chose RIC as it was “The only place that would let me do all the subjects I wanted and did not make me wear a suit. I have met the most exciting people here.” Asked what his favourite things about being at the College were Tom said: “RIC has helped me to learn a lot in subjects I really enjoy with awesome teachers I get on with. A very good atmosphere and lot of help available. Good trips, cool plays in London and the art trip to Paris was excellent.” Tom took A levels in Philosophy, History of Art, Music Technology, Fine Art and Photography.
Visiting artists and icons
RIC inspires the next generation of creatives and students here benefit from meeting and working with a number of visiting artists and industry professionals, some of whom are well know contemporary figures.
The artist, poet and musician Billy Childish is a regular visitor to the department. Billy was closely associated with the Young British Artists, founded the Stuckist movement and has been described by fellow artist Peter Doig as “one of the most outstanding, and often misunderstood, figures on the British art scene.”
Kent resident Ralph Steadman, one of Britain’s best-known cartoonists, famed for his satirical political caricatures and book illustrations including those for Hunter S Thompson’s Fear and Loathing In Las Vegas visited RIC to launch and then judge entries for RIC’s Ralph Steadman Art and Design Scholarship, a biannual prize awarded to a promising local student artist that allows them to study at the College.
On the day he visited Ralph brought his latest book 'Proud to be Wierrd' and was full of tales of his latest exhibition - STEADman at 77, his retrospective at London's Cartoon Museum which our year 10s visited in the summer. Also the film 'For No Good Reason' based on his life and works where Johnny Depp pays a call on his friend and hero and - as the blurb says 'we take off on a high-spirited, lyrical, raging and soulful journey discovering the life and works of one of the most important radical British artists of modern times.' He proceeded to create an original artwork in front of the totally mesmerised students and staff present.
Working closely with RIC’s Music students on an ongoing basis is Bjork collaborator and sound sculptor Henry Dagg, creator of the unique musical gates that lead into the College campus. Henry, a former Dalek, BBC sound engineer and award-winning musical saw player has worked with acts including Bob Geldof, Keane and The Cranberries.
RIC has encouraged many young filmmakers over the years. Clio Barnard, the BAFTA award-winning director of The Arbor and The Selfish Giant, was filmmaker in residence.
RIC has historically hosted live theatre events with internationally acclaimed performers Ridiculusmus and Guy Masterson being amongst those to have entertained staff and students on Star Hill. Our dedicated underground space regularly hosts performances from the European Arts Company, a national and international touring theatre company who bring their West End work to RIC.
This year photographer Ali Mobasser and illustrator and animator Russell Weekes gave a talk to our A-level Photography and Film Studies students. Professionals in their own right, Ali and Russell also collaborate on projects, most notably music videos and a multimedia project for The Guardian Magazine. Russell showed his video for Franz Ferdinand, which made use of his signature visual playfulness, as well as his cunningly simple and effective illustration and graphic work. He also showed the Stephin Merritt (of The Magnetic Fields fame) music video he directed, for which Ali took the stills.
I absolutely love art. I spend as much time as I possibly can in the art room both during and after school. I’m studying ‘self image’ at the moment and am particularly impressed by the work of Jenny Saville and Frieda Kahlo. Right now I’m making my own self-portraits in both paint and pastel.
The highlight of my year so far was when the artist Billy Childish came in to do a painting and printmaking workshop. He is a visiting tutor here. We started by making simple outline self portrait monoprints then began to work back into the images with pastels. He taught us so much; colours that complement one another and how they affect the mood of the piece, the importance of capturing the most obvious parts first before developing the work and most importantly how to know when to stop. It was inspiring, the day has completely influenced my work.
RIC's arty alumni
Here are just a small number of former RIC students who have gone on to work in the world of film, drama and the arts: